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Philip F. Dodds

kept it moving and, even when ARP died, the Chroma lived on. It transcended a corporation's death and kept that team together, and was the sole reason everything moved forward from there. The Chroma Polaris , a descendant of the Chroma, cost $1,495 and sported MIDI, a built-in sequencer, and interfaces for Apple IIe computer and the Chroma. The Polaris was designed and

is being reprinted with permission from Keyboard Magazine , October, 1993. It is similar to the chapter on the Chroma in Vintage Synthesizers (see the Bibliography for more information). When the seas came crashing down on ARP Instruments in 1981, two-year-old plans for a programmable polyphonic synthesizer were seemingly squandered. The team that had several times tried to

, a filter, two ADSRs, and a VCA); the Chroma's internal computer could route signals through two lowpass filters, in parallel or series, or position the VCA before or after the filters. Like a phoenix, the Chroma rose from ARP's ashes in 1981. It lived a tumultuous, if fairly successful, life during its five years of development and production. In addition, there was a

Team photo taken at Riat from left to right we have Geoff Noble, Philip Dodds and Simon Stacey who are team GPSmicrojet .

, and has eight or 16 voice polyphony as well as an after touch/velocity sensitive keyboard. The ARP styling is very evident with the Chroma, as it was with many of their other keyboards. There were 3,000 models made [maybe: see the FAQ ], and Philips Dodds the head of the design team is sure the first 50 were best built [Philip Dodds/Tony Williams interview]. That was

Warren J. Kemmerling (Wild Bill)Roberts Blossom (un fermier)Philip Dodds (Jean Claude)

Seznec, Thackray Seznec, Capt. Charles R. Dodds, Philip Dodds, Nathaniel Dodds (out of view here, but in later shots below), and Roy Hewitt (my nephew; Sue's sister's son).

five times as much. Although this system is in an early stage of evolution, it appeared to me to be as useful to a typical working musician as any other Apple-based system that I've seen. The Chroma-Apple system playing Sousa at NAMM last June [1982]. I had an opportunity to talk to Philip Dodds about Rhodes' program to develop computer interfaces for the Chroma. Phil

Filed Under Sci-Fi | 1977 D: Steven Spielberg C: Richard Dreyfuss, François Truffaut, Teri Garr, Melinda Dillon, Bob Balaban, J. Patrick McNamara, Warren J. Kemmerling, Roberts Blossom, Philip Dodds, Cary

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By SYS-CON TV Philip Dodds, CTO of the former Simula Labs, newly renamed DevZuz, was interviewed about accelerating product lifecycles for the betterment of the company's customers. Taking

ARP Vice president Philip Dodds plays a huge ARP synthesizer in a sequence of Steven Spielberg's movie Close Encounters of the Third Kind (1977). In the picture, ARP musician Jean Claude

ARP and Fender Mark Vail's The Synth That Survived ARP's Fall , reprinted from the October 1993 issue of Keyboard magazine, includes an interview with Philip Dodds, the product manager for the Chroma who

and systems integration and consultancy firms, including Bloomberg Financial Television, Cable Wireless, Electrolux Home Products, Television Education Network, Video Arts and VTEL. Philip Dodds Tel: + 44 (0) 20 8424 8784

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